Vol. 16 No. 31 • July 29 - August 4, 2010 Hamilton - Niagara's Independent Voice - Online Edition


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LADYBIRD SIDESHOW



by Ric Taylor
May 6 - 12, 2004
“We offer straight–up good, original music in four delicious flavours,” smiles Melissa McClelland, one–quarter of the Ladybird Sideshow coming to town this weekend. Two years ago, McClelland hooked up with songbirds Lisa Winn, Erin Smith and Janine Stohl with a plan to gather resources with like-minded souls. The four realized an ethereal bond and translated that to the stage in song. The project took flight, and the Ladybirds were born. Four stellar voices intermingle into a resounding mix of pop, blues, funk, folk, soul and comedy from a different vantage point. “We've had tons of fun together right from the very first day in the van, so right off the top there was one of those strong girlie–bonds that people write so many bad movies about,” quips Smith. “We were four friends wanting to travel together and play music,” explains McClelland. “We started messing around on each other's stuff and suddenly we were coming up with beautiful parts, being completely inspired by each other's music.” “When we first started we mostly left each girl alone to sing their own song and we would play in turn,” adds Smith. “Now we’ve spent time crafting really intricate four–part harmonies and add all kinds of nuances and sass to each other's songs. We can be witty, we can be bawdy, and we can just be doorknobs. But it seems to work in our favour.” Touring nationally, the Ladybirds have experienced the folksinger’s blues—they document their world as they deem fit. Still, it’s a few steps away from popular folk convention. “I bring in a little pop flava’, Neen [Stohl] plays edgy folk, Skee [Smith] is all about the funk and Lease [Winn] writes the stunning folk ballads,” exclaims McClelland on the elements that make this Sideshow special. “First and foremost we're all singer/songwriters placing huge importance on words and stories and the format in which we choose to deliver varies from one artist to the next.” “There are lots of vivid stories painted in our set—everything from a girl on her way to being a porno queen, to a mining disaster in Northern Ontario,” offers Smith. “We've got fictional murders, we've got straight up catchy tunes with some saucy language, and we've got a few unconventional love songs.” These Ladybirds write and sing from their particular perch, poetically and honestly. Yet, some more stoic audience members might malign such forthright women. “The music speaks for itself and as for our stage banter we're simply ourselves,” says McClelland. “[We’re] X–rated and vulgar if we feel so inclined. Some nights we put on quite a respectable folk show.” “That doesn’t mean we should act like serious-minded music-heads when really we are awfully silly quite often,” Smith interjects refering to the occasional use of more bawdy language. “I think we just figured we’d give our fans a glimpse into what we talk about when we're in the van touring around. We’re all musicians with the clout to be taken seriously, but a little underpants talk now and then keeps things all in perspective. “We do work as we see fit and use language as it pertains to our point and purpose,” Smith adds. “Sometimes the swearing is tongue–in–cheek, sometimes it’s the best way to get the tone of a story across and sometimes it just feels good to say, ‘I'm not fucking stupid.’ But ultimately, art that challenges in one way or another is often the best kind of art.” These Ladybirds seem to turn heads wherever they go; they’re currently attracting the attention of some labels courting for their debut full–length. In the interim, the Ladybird Sideshow continues to tour, inspire, delight, incite and smile. “It’s sickening how much we truly adore and support each other,” McClellan laughs. “It’s such a pure thing and it continues to astonish me. We have yet to have any nail scratching, hair–tearing fights—although we have had a few drunken wrestling matches.” “How often do you get to hear/see four songbirds of stellar talent collaborating and playing alongside one another,” Smith asks. “ Not often, and certainly not with the kind of charisma that you’ll see at a Ladybird show. Plus if you’re lucky, we’ll talk about underpants some more.” V LADYBIRD SIDESHOW with AARON WRIXON Friday May 7 PEPPER JACK CAFE 38 King William St. 905.525.6666 [RIC TAYLOR]
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