Vol. 16 No. 36 • September 2-8, 2010 Hamilton - Niagara's Independent Voice - Online Edition


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BENEATH THE MASSACRE



by Sean Palmerston
February 2 - 8, 2006
For three decades, Quebec has been a hotbed for original, intelligent metal music. From Voivod in the ’80s, to Cryptopsy, Gorguts and Kataklysm in the ’90s, up to this decade’s new breed, which includes such groundbreaking acts as Despised Icon, Ion Dissonance and Neuraxis, the province has always had some of the best metal bands in the scene. You can add Montreal’s Beneath The Massacre to that list. Formed out of the ashes of another group, Observing the Fallen Tree, when its members were still in high school, BTM is currently turning the metal underground on its ear with their frantic, grinding brand of death metal. “After a few years of playing shows and stuff with our old band, some felt that it was time to get serious,” explains vocalist Elliot Desgagnés in a recent email interview. “In order to get the job done we had to make a few line–up changes. I went from bass to lead vocals and our lifetime friend Dennis joined on bass. For obvious reasons, we changed the name of the band.” “Not long after the beginning of the new band, one of the guitarists quit because he didn’t want a serious band and all the work related to that. So the final line–up became Elliot Desgagnés, signer; Christopher Bradley, guitar; Justin Rouselle, drums; and Dennis Bradley, bass. “From day one, we knew what the band would sound like,” he continues. “We never stop and think how a song should sound. The sound that we have now seems to be the only thing we can play and feels right to play.” The first release by the band is the mini–album Evidence of Inequity, issued last year on the influential Quebec metal label Galy Records. The five song CD is a sonic maelstrom of furious guitar riffing, nearly inhuman blast beat drumming and enough interesting twists and turns in each song to make the listener take notice. This just isn’t your average run of the mill, cookie cutter death metal outfit. The album has received quite a lot of positive feedback in the metal underground, with rave reviews from both fans and critics alike. But as Desgagnés explains, they were pretty much oblivious as to what the outside world might think during its creation. “We started the band without thinking of people’s reaction,” he says. “We were basically doing what we like to do and never thought about critics. “When our label started to send us reviews, we were blown away. Not only did people like it, but they wanted to hear even more. It feels good to see that people like your stuff. It makes us want to write more new songs and to go back into the studio as soon as possible.” Said mini–album was actually recorded as a five–piece. The band then featured a second guitarist, Christian Pepin, who left the band after the sessions, as he wasn’t prepared to commit as much as the others. As the five songs feature a lot of harmonized twin guitars and layering of two guitars throughout, the question arose as to whether the band has trouble creating that same feel when performing live. As Desgagnés explains, they are dealing with the situation in the short–term while a long– term solution is being sought out. “Some harmonized stuff might not sound as good live,” says Desgagnés, “but I think we are doing pretty good. We are still looking for a second guitarist but we do not want to rush things as we do feel comfortable on stage with just the four of us. We have all known each other for so many years that I think it will be hard for us to accept a new member in the band.” The group hasn’t had a lot of touring experience outside of their native Quebec to date, but that’s not for lack of trying. Last summer they were asked to tour Western Canada and the US supporting fellow Quebecers Neuraxis, but didn’t make it much past Thunder Bay, ON when an unfortunate accident ended their road trip early and nearly cost them their lives. “We didn’t rest enough the night before,” says Desgagnés “and the driver fell asleep. So we crashed our van into a huge ditch after doing numerous rollovers. We are so lucky that no one got seriously hurt, I mean, a lot of people die in smaller crashes. We got out of the van seconds after the crash going ‘What the hell just happened?’ “The hardest part of the crash, however, was the financial problems related to it: we still don’t have a new van, and it cost us a fortune in shipping to get everything and ourselves back home.” It has taken the band a little while to get back on track, but fueled by the great response to their mini–album, the band is gearing up for much more activity in 2006. “It will be a busy year for us,” says Desgagnés. “It is now official, we’ll be recording our first full–length album with Yannick St–Amand (Despised Icon, Ion Dissonance) in June. We will then be leaving for a US tour with Neuraxis right after the recording. The new CD should come out in the fall, so we expect more touring at that time. So yeah, a lot of work in our jam room for the next couple of months so that the new CD will be ready to be recorded in June.” If the full–length album ends up as monstrous as last year’s EP—and there is no reason why it shouldn’t—get used to seeing the name Beneath The Massacre in print a lot more. See for yourself this Sunday before the band becomes more than just an underground phenomenon. V BENEATH THE MASSACRE Sunday, February 5 THE UNDERGROUND 41 Catharine St. N. 905.741.7625
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